Director: Peter Walker
Release Date: April 1973
Capture 1
Unidentified. Some less than helpful signage as Ray Brooks returns to his ticketed car.
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Thanks to Geoff Dodd for pointing out that Brooks' photo shoot is near the corner of Westbourne Terrace Road Bridge and Blomfield Road. The view is across the canal to Lapworth Court, Delamere Terrace.
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Unidentified. Richard Marner, Anouska Hempel and Eric Pohlmann at the opera.
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Unidentified. En route from the opera to Pohlmann's home.
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Unidentified. As the camera pans to the left the sign appears to read 'Ashton Funerals' but has yet to prove helpful.
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Unidentified. The camera continues the pan to the left as it follows the car.
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Ivor Salter, an operative of Pohlmann's, outside the Hollywood Arms, Hollywood Road, Chelsea.
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Thanks to Richard Lovejoy for finding the weather vane on Sovereign House, 210-226 Shaftesbury Avenue, with Centre Point as the backdrop.
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The camera pans down from the weather vane.
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The pan continues down to the central core of Sovereign House, thanks to to Richard again, as Hempel approaches a staircase.
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Damien Thomas stands on a balcony of Sovereign House looking down into Shaftesbury Avenue.
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The reverse view showing Thomas on the balcony with Exide House, 231 Shaftesbury Avenue, in the foreground. Again, thanks to Richard. The lower building, to the right of the chimneys is the Shaftesbury Theatre.
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As Thomas steps away the view is into the junction of Shaftesbury Avenue and St. Giles High Street.
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Salter outside the Hollywood Arms again where the archway leads to Hollywood Mews.
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The reverse view from the pub with, from left, Geoffrey Hughes, John Clive and Alan Curtis who may be standing outside the Golden Duck restaurant, 4 Hollywood Road.
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More of the reverse view from the pub with Curtis and presumably the Golden Duck to the right.
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Unidentified. Hempel driving. London?
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Unidentified. The view as the camera follows Hempel.
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Unidentified. In this scene it's Bill Kerr and Martin Wyldeck leaving the building as Pohlmann and Marner arrive.
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Unidentified. Brooks' view as he looks for Hempel.